It was really, um, nice, 2011, but I have a really early morning tomorrow…

Thank you Waub for starting this tradition among our circle of now-extended friends 10 years ago.  Wow.  I’ve discovered so many great records (& more metal than a girl could ever dream of…) thanks to the initiative you took on that fateful day in Akron <3.

The real top ten, really (& I only cheated twice with double-entries):

1.  Feist – Metals:  Anyone who knows me a teeny bit won’t be surprised this is my top album. But it’s not pre-Monarch Feist bias at play, I swear.  This is a rich, dark record with challenging, complex & interesting percussive, vocal & melodic parts, which are completely different from the upbeat hand-clappy triple-a-radio stigma she suffered for the past six years. Not at all weirded out by her upcoming Mastodon collabo (what could be worse than LuLu, amirite?!?), it makes a lot of sense after listening to this (on repeat…for months on end).

2.  Singapore- do re mi fa q:  Not quite a full-length, but much more than an EP…& definitely a fair representation of what their live show yields. These (young!) guys shocked me with their polished presentation, unique sound (think a Nick Cave-fronted Strokes with a dash of Depeche Mode’s timeless sexy swagger) & smart songwriting. Hoping that 2012 brings big things for another ungoogleable band from Toronto.
3.  TIE:  Kate Bush- 50 Words for Snow & Director’s Cut:  Yeah, technically two different records but it’s nice to look at her songbook through a new lens, especially before tackling new material.  Listening to the director’s cut recordings of classic songs was almost as invigorating as last year’s Peter Gabriel covers record…& 50 Words will definitely help get you through the next two months & then some.

4.  Wilco – The Whole Love:  Would never self-identify as a big Wilco fan, cause it seems like a daunting chore…but this frigging record, with an almost prog-like churn, weird twists & turns & still catchy tuneful treats, has me revisiting all their old albums. This is one of those records that if you put it on during a dinner party you catch people pausing to enjoy it…or maybe I just throw really shitty dinner parties filled with awkward silences.

5.  Ryan Adams – Ashes & Fire:  My boy got me through a near-hellish fall/winter. I’ll admit to leaning on the standbys: Pneumonia, Gold, Heartbreaker…& all-time fav Easy Tiger. BUT this album is stand-alone GREAT. Funny reading in the reviews that he took 2 years off, cause there are delicious Sad Dracula/bootleg/one-off breadcrumbs all over the interwebs to satisfy any dry spell, but you can tell that my future husband/ex-Mr. Mandy Moore put in some serious time sequencing, mixing, writing a near-perfect country/roots album.

6.  Chilly Gonzales
– The Unspeakable Chilly Gonzales:  There are no words to describe how amazingly meta this man has become. Oh & watch Ivory Tower or die laughing/trying.

7.  St. Vincent - Strange Mercy:  Everyone who wrote off her last two albums as too swirly, orchestral, busy & lush has run out of excuses. This is a fierce stripped down record where two things are glaringly obvious: bitch can shred & hot damn she has complete vocal range & control.

8.  TIE:  Thurston Moore – Demolished Thoughts & Stephen Malkmus & The Jicks – Mirror Traffic:  Combo slots on the list because of the common producer credit – Beck. Solid records for 90s icons on both sides of the studio glass.
9.  PJ Harvey - Let England Shake:  Spare me the Arab-Spring/political interpretation undergrad angst bullshit. This is a structurally sound trudge through the most painful moments in life, the inexplicable, the horrible & the terrifying. A tough slog, but somehow still beautiful.
10.  Bill Callahan - Apocalypse:  With his unique voice, folk tendencies &, well, a goofy approach to lyrics, I worry that a guy like this’ll get a ‘character actor’ stigma (I have more interesting things to worry about but it’s nice to switch it up). What can you do though, right? Wait 20 years & guys like Buscemi are revered as leading men…I trust that history will be equally kind to Mr. Callahan. At least in a big-payout-for-his-estate-Nick-Drake-level-of-reverence kind of way. (Watch “America” & it will all make sense)

Okay, let’s do this.

Well, 2010 wasn’t the zen escape from the wreckage of 2009 that I’d hoped it would be.

Aside from a much-longer-than-anticipated convalescence period (5+weeks) wherein I had no choice but to explore ‘inner space’ (& all four seasons of Felicity); massive terrifying reconstructive surgery; re-learning how to walk; avoiding the siren song of oxycontin in periods of extreme pain; switching gigs (again); travelling to LA & NYC to work on doc fests; pathetic attempts at surfing (again); speaking at SXSW (bucket list); moving into a beautiful new home; breaking hearts; & solving crimes…I guess it was calm-ish.

One thing that kept me going, as usual, was music. Less live gigs, more oldies/reissues/vinyl & less new album purchases/downloads. Still, it wasn’t easy to whittle down a final ten for 2010. A tip of the hat must be directed at journo extraordinaire Waub (soon to be published author) for starting this tradition over 10 years ago.

Local Lurv – Top Toronto Releases of 2010

  • The StrumbellasS/T EP – Within a 100 mile radius of the Cameron House while these lads work their residency? Go. They’re destined for great twangy things.
  • William Del Rayn/a – Anything Wm releases on Myspace, Bandcamp or burns onto a CD-R.  Mark my words (again): he’s our generation’s Ron Sexsmith.
  • ZeusSay Us - Proud to be a long-time proselytizer. Finally, a full-length that captures all the great tunes they’ve perfected with a relentless touring regime.
  • The Sure ThingsTwo Dollar Bottles – Extra points for having a gracious lap steel player who’s suffered a fool during her couchsurfing days & emo undergrad years.
  • WoodhandsRemorsecapade – Nothing will ever be as great as experiencing this band live.  Ideally, they’ll release a concert DVD.  In the meantime, buy this already.
  • ShadTSOL – Top-notch world-class hip-hop from the Old Prince. Even Kanye agrees.
  • Ian KamauMixtape Vol. 3 Love and Other Struggles – Blown away by the thoughtful/interesting samples, interview excerpts & sweet lyrics.
  • Hands & TeethEnjoy Your Lifestyle – Not just another adorable-mixed-gender-high-energy-hipster-bait-brouhaha.  They’ve been building buzz & receiving high-indie-praise for a reason.
  • Evening HymnsSpirit Guides - Released late last year.  Back off, I’m getting too old to stay on top of these things.  So, so hauntingly beautiful, let this ’09 one slip & check it out, please.
  • Royal WoodThe Waiting – Slick & far richer than previous releases. Definitely proves that he’s earned his place alongside veteran singer-songwriters/tourmates like David Gray.

Worldwide Lurv – Top 10 LPs of 2010

  • CaribouSwim – Admittedly, I’m a sucker for trippy psychedelic tunes of any origin.  The fact that Dan’s dramatically evolved his sound from Manitoba days into such a unique, identifiable soundscape – & can pull it off on tour no less – makes it much more impressive.
  • SpoonTransference – Y’all know that I left my heart in Austin (among other sundry items). Consistently strong, well-thought-out, interesting records keep this band at the top of my playlist year-round.
  • Tallest Man on Earth - The Wild Hunt - Just wow.  Dylan reincarnate.  One of many new artists I must thank Paul at Criminal Records for turning me onto.  You should shop there, too.
  • Rufus WainwrightSongs for LuLu – Absolutely hated the performance piece that accompanied this raw album.  But I’ve forgiven Rufus for indulging in his OOTT (operatic-over-the-top) ways.  His simplest record – with piano-only accompaniment of his a gorgeous, stronger-than-ever-voice – will hold its own in his growing discography.
  • Sharon Jones & The Dap-KingsLearned the Hard Way - Anything Daptone Records releases is guaranteed to be warm, soul-stirring R&B.  Anything Sharon sings on is guaranteed to whip your ass into shape.  Ballsy, brassy, bold & badass.  Buy it twice, you’ll be compelled to give it to someone in need of a break-up care package.
  • Black MountainWilderness Heart – Again with the trippy psychedelia.  But Black Mountain’s sludgier, trudgier stoner rock is oh, so very different than Caribou.  Makes you want to buy a nasty old van & drive it across the country.
  • The Black KeysBrothers – As far as I can tell, these two can do no wrong.  Even last year’s risky BlakRoc collaboration confab stayed in heavy rotation throughout 2010.  I’m sure it’ll be the same for this gem.
  • RobynBody Talk 1 (…& 2 & 3) – The official soundtrack of fag hag heaven.
  • LCD SoundsystemThis Is Happening –  Actually prefer James Murphy’s 10+ lower-key stripped-back tracks on the Greenberg s/t , but full-length-album-wise, this is as close to perfect as electropop gets.

Honourable Mentions - CaracolL’Arbre aux Parfums (…but it was released in 2008) & Besnard LakesThe Besnard Lakes Are the Roaring Night

What was your list?  Any glaring omissions?  I preferred older Deerhunter & Yeasayer records to the stuff they put out this year, but that might be general laziness on my part.  Excited to discover some new tracks & get some snarky feedback…

& a freight train running through the middle of my head

Before I spam my entire FB peeps’ update stream with ‘Meghan favourited a YouTube video’ notices, I’ll give massive official blahg shout out to Fader magazine (who throws the BEST sxsw parties, BTW) for their inspired new web campaign sponsored by Southern Comfort.  ‘At the Bar with Southern Comfort‘ is weekly series of YouTube videos has filmed bands in their favourite hometown bars & asks them to perform acoustic covers – & the choices by the bands are just – wow.

Dunno if Fader approached SoCo or if this just came out of their existing advertiser/publisher arrangement, but IMHO this is a great campaign.  Fader said in July that an upcoming SoCo tour with Polyphonic Spree (meh) & The Hold Steady (yea) is happening along these all-cover-song-lines….

As anyone knows from most major music fests, absorbing some sponsorship/logo/branded stuff is a given to book decent acts & turn a profit.

Here’s a sample of the vids – Daredevil Christopher Wright in Madison, Wisconsin covering Megafaun‘s Drains. & to all the pristine prissies who accuse musicians of selling out for doing stuff like this…don’t even get me started…

p.s. Canuck <3s’ll go aflutter for Born RuffiansLuke Lalonde covering the Boss at the best mojito joint in TO, Souz Dal.